The Seasons by James Thomson, after treatment |
This copy of The Seasons, held in the Martha Blakeney Hodges Special Collections and University Archives at UNCG, was published in 1837 by publisher Andrus, Judd, & Franklin of Hartford, Connecticut. It is a small binding of about 4 x 6 inches, which was easily held in the hand or tucked in the pocket of its owner. The book has a decorative leather binding known as marbled leather. The effect was created by pouring acidic solutions across the leather to create striated areas of color resembling marble. For more information about decorative leather binding terminology and techniques, click HERE.
We recently had the opportunity to treat this lovely little binding in Preservation Services. When we received it, the front board was attached only by its cords. The leather was split at the hinge on the front and back covers, a natural result of regular handling of an old, brittle leather binding.
Both images are before treatment, on the right: the PVA-type adhesive at the fore edge corner from a prior treatment |
The fore edge corners and the hinges had previously been treated with a PVA-type adhesive (common examples of PVA adhesives are wood glue, white glue, or school glue), which created a clear, plastic-like coating that may have provided some protection but also may have contributed to further damage as the adhesive was stronger than the aging leather.
In process (L to R): mending the outer hinge with Japanese tissue, recreating a missing endband, mending the endcap with Japanese tissue |
Other than some water damage staining at the spine edge of the pages, the text block was in relatively good condition. A folio in the first section of pages was loose and the interior hinges at the front and back were split just as the leather was split on the outside of the hinges.
After treatment: the outer hinge was mended and toned to more closely resemble the original leather |
This copy of The Seasons by James Thomson was returned to Special Collections and is now available to be shared with researchers and students interested in 18th century British poetry, blank verse poems, or perhaps marbled leather bindings.
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